Robert Fisk on the Middle East
Pico Iyer - interview
Bowling for Columbine - critique by Cynthia Fuchs
The Trials of Henry Kissinger - critique by J. Tanzer
Art of Les Cosgrove - critique by Robert J. Lewis
John Lavery's The Man With the Stamp
Elizabeth Bishop recites Sonnet (a poem)
Marina Endicott reviews Guy Vanderhaege's THE LAST CROSSING
Ryan McKaken: Of Dogs and Men
Stephen Day: Letter from an Fortunate Refugee
Blues of Ronnie Earl

Arundhati Roy on anti-Americanism
Robert J. Lewis examines Pornography
Tariq Ali: Letter to a Muslim
Talk To Her: film review by Frank Vigorito
Shanghai Ghetto: film review by Elias Savada
Gustavo Sigal, the art of
Juan Manuel Sanchez and Alex Waterhouse-Hayward, the art of
Al Billings: Far Enough South
Robert Haas: poem
Rochelle Gurstein: the Mona Lisa
Arthur Kaptainis on modern classical music
Riad Saloojee: the charade of Iraq
The blues of Jimmie Vaughan

Noam Chomsky on Iraq
Mark Kingwell Interview
Review of City of God by KJ Doughton
Art of Guy Benson by Marissa Consiglieri deChackal
David Solway: Recollections of a Pseudo Philosopher
Charles Lambert's All Gone (Short Story)
Robert Fanning poem: My Digital Initimate
Shane Neilson: Political Poetry's Resurgence
Bernard Dubé: The Roil Over Oil
Robert J. Lewis: For Whom The Genes Toll
The Blues of Delbert McClinton

Edward Said: Chronicle of Infitada Foretold
David Solway on Quebec/Richler
IBM and the Nazi Connection
John Malkovich Interview by Tasha Robinson
KJ Doughton reviews Manic (film reivew)
Ryan Bigge essay: Everything Falls Apart
Robert Lewis reviews Man Without A Past (film review)
Sean Johnston's The Underdog (short story)
Art of Eric Carlos Bertrand by Maya Khankhoje
Alex Waterhouse-Hayward: Photography
The Blues of Ray Bonneville by Emanuel Pordes

Noam Chomsky on Collateral Damage
Alex Waterhouse-Hayward's Nudes
Aaron Wherry: Pop Divas, Pantydom and 3-Chord Ditties
Robert J. Lewis: Guitars, Gonads & Groupies are Wild
KJ Doughton reviews Magdalene Sisters (film review)
Eric Ormbsy reviews David Solway's RANDOM WALKS
Anne Simpson: 7 Poems
Naomi Klein reviews Letters to a Young Acitivist (book reiview)
Art of Lyne Bastien reviewed by Marissa Consiglieri de Chackal
The Blues of Derek Trucks

Jean Beaudrillard: Historicizing the Millenium
Michael Albert: Buying Dreams
Robert J. Lewis: On Immigration Policy
Cynthia Fuchs reviews Dirty Pretty Things (film review)
Hoagy Carmichael Interview
Al Billings: Half-Hidden Road (Memoir)
Nabeela Sheikh: True Romance (Short Story)
Robert James Berry: The Ocean (poem)
The Art of Kapil Harnal by Sarah Bagnall and Marissa Consiglieri de Chackal
Michael Jackson: Sleeping With the Enemy
The Blues of Chocolate Genuis (American Splendor)

Michael Moore: Face It, You'll Never Be Rich
Donald Morgenson: The Love of Laughter
Barbarian Invasions reviewed by KJ Doughton
Fog of War reviewed by Colin Speaker
Scott Michaelson & Scott Shershow: The Lieber Code/Law of Sovereign Exception
Art of Magdalena Magiera by Marissa Consiglieri de Chackal
Art of Nguyen TAI by Marissa de Consiglieri de Chackal
The Jazz Guitar of Tommy Emanuel
The Blues of Colin Lindon
Robert J. Lewis: Ethnicity and Self-Hatred
Angels of Mercy: Interview with Palliative Care Specialist

Mark Kingwell: Making of Media Icon
Robert J. Lewis critiques Roberto Romei Rotondo's THE ROAMERS
Prostitution: Gender-based income redistibution with honor and dignity
The art of Nicole St. Pierre by Marissa Consiglieri de Chackal
Patricia Sarrafian Ward: The Bullet Connection (short story)
Jason Anderson reviews film The Corporation
Lester Pimental reviews film Blind Shaft
Jazz pianist John Stetch
Blues of Robert Jr. Lockwood

Justin Podur on Chiapas: Ten Years After
Bruce Cockburn Interview
Robert J. Lewis: Installation Art
Art of Charles Malinsky by R. Rozsa
Penis Dimensions - Spam and your Penis
Elias Savada reviews The Station Agent
Sally Fallon and Mary Enig: The Soya Bean Conspiracy
Aaron Wherry: American Ideal
Harry Manx sings A Little Cruel
Susie Arioli sings Now I Know

Josey Vogels : Kidde Porn, The Internet and Uncommon Sense
EMBALMER, The Confessions of
PISS CHRIST, part II
The sculpture of Armand Vaillancourt by Robert J. Lewis
Alex Waterhouse-Hayward: bathtub photography
Dr. Joe Schwarcz talks about toxins
Cynthia Fuchs reviews the film The Agronomist
Diana Krall interview by Aaron Wherry
Tom Carroll Cartoon
The art of Marc Fortier by Marissa Consiglieri de Chackal
Jazz singer Coral Egan
Blues of Otis Spann

Michael Albert : Capitalism at the Crossroads
Alex Waterhouse-Hayward: Live Art
Katherine Czapp: The Ubiquity of Mercury
Robert J. Lewis: The Michelle Pfeiffer Effect
Dr. Joe Schwarcz: Oxygenating Athletes and Banned Substances
Robert J. Lewis: The Greatest Lie Ever: 20th Century Dress
Cynthia Fuchs reviews Maria Full of Grace
Rare Pearls (art review) by Marissa Consiglieri de Chackal
Jazz singer Stacey Kent
Blues of Ana Popovic

Richard Rodriguez : Asians and Mexicans Count, Too.
Josey Vogels: Sex Traders in the Material World
Guy Saddy: Is Prog Rock on the Rocks
Lori Lipinski: Milk - The Dairy Industry's Tarnished Angel
Michael Taol: The Coca Leaf - Cultural Uses and Abuses
Robert J. Lewis: The Meaning of Dreams
Jurgen Fauth reviews the film: S21 - The Killing Machine of the Khume Rouge
Barbara Lefcowitz - fiction: The Girl from Albania
Bernard Dubé: Photo Essay
Jazz singer Carol Welsman

Barbara Ehrenreich: A Uterus Is No Substitute for a Conscience
Interview : Bob DYLAN
Christopher Hitchens & Tariq Ali Debate Iraq
Robert J. Lewis: Bad Belly in Delhi
Riad Saloojee: Into the Art and Heart of Fasting
Wayne Bremser: The Lost Language of Jazz In an On-line Age
Jenn Clamen: Sex Workers of the World Unite
Paul Ingraham: The Anatomy of Vitality
Maya Khankhoje: The art of Remigio Valdes de Hoyos
Elbert Ventura reviews the film In This World
Jazz: Aldo Romano Jazz singer Carol Welsman

Leonard Cohen: with PICO IYER & LEON WIESELTIER
Charles Lewis: American Jihad Against Transparency & Accountabiility
Robert J. Lewis: Divine Right & the Unrevolted Masses
Farmed Salmon : Why Are We Eating It
Michael Parenti: Are Hetrosexuals Worthy of Marriage?
Albert Ventura: America's Fear of Foreign Film
Buffalo Boy reviwed by KJ Doughton
The Art of MADY reviewed by Marissa Consiglieri de Chackal
David Steinberg: Sex and Fine Art
Holt & Skov: Blobobjects and Beyond
Jazz: Denzal Sinclaire

Bill Moyers: No Tomorrow
Eugene Oscapella: Prohibition Doesn't Work
David Steinberg: G-Strings & Symnpapthy - Book Revew
Dr. Joe Schwarcz: Are Organic Vegetables Healthier?
Robert J. Lewis: Rap Music - Truth & Consequences
The Art of MYLENE GERVAIS reviewed by Lydia Schrufer
Romeo Dallaire: Shake Hands with the Devil reviwed John Griffin
Liam Durcan: Nightflight (fiction)
Rochelle Gurstein:On the Misery of Strangers
Margarete Scmerville: On Same Sex Marriage
Jazz: Madeleine Peyroux
Music: Martha Wainwright

Thomas Friedman: Interviewed by Nayan Chandra
Robert J. Lewis: Michael Jackson: Manchild in a Promised Land
Born Into Brothels reviewed by Ken Eisner
Stephen Lewis: Aids Has a Woman's Face
Coconut Oil Rehabilitated by Mary Enig
The Art of CHRISTINA COLEMAN by Lydia Schrufer
Stuart Lenig: Film Essay - Zombies Are Us
Jazz: Bireli Lagrene

Noam Chomsky: by Cynthia Peters
J.A. Quaytman - Michael Jackson: Another Seduction
Head-On reviewed by John Griffin
Julius Grey: The Paradox of Rules and Regulations
Robert Jensen: Into the Heart of Whiteness
Zhang Yimou interviewed by Barbara London
Ingrid Rice Cartoon
The art of LAURA HOLLICK by Lydia Schrufer
Di Caelers: Music and the Immune System
Robert J. Lewis: The Eclectic Switch
Jazz: Sonido Isleno by Diane Gordon

Naomi Klein: Fences of Enclosure
Janis Ian: Are Downloaders Freeloaders?
Josey Vogels: 21st CENTURY SEX
Robert J. Lewis: Melody and Mind
Dr. Joe Schwarcz: Can Red Meat Take the Heat?
Gary Wisby: On the Secret Trail of Trash
Randy Bish: Cartoon
Alex Waterhouse-Hayward: Photos of a One-armed Nude
Dan Stefik Film Review - The Edukators
Between Sets: Marc Jordan
Jazz: Sylvain Provost & Norman Lachapelle

Evelyn Lau: The Chink Word
Dan Stefik Film Review - Water
Mecca, Feminism & Modernity Irshad Manji
Diane Gordon: The Roil Over Oil
John Pahle: Tehran's USA Red Brick Wall?
Robert J. Lewis: Confessions of a Chronophobe
Ingrid Rice: Cartoon
Art of Louise Jalbert by Lydia Schrufer
Between Sets: Juana Molina by Serge Gamache
Jazz: Samina

Female Genital Mutilation: by B.A. Robinson
Jim Morrison: Life and Death reviewed by Serge Gamache
Michael Whealen reviews Cormac McCarthy
David Solway on James Joyce: Reading the Encyclopedia Dementia
Karel Sloane: A View of Nature
Graeme Mackay: Cartoon
Phillip Routh: The Sea Gull
Robert J. Lewis: On the Road in Peru
Samsara: film review by Hana Benveniste
The art of Rosemary Scanlon by Lydia Schruter Between Sets: Paulo Ramos by Diane Gordon
Jazz: Kevin Breit

Robert J. Lewis: Cycle Hype or Genotype
Geoff Olson: The Seven Spins
John Lavery: Yuri and the King Crab
G.L. Mind: Being Gazed Upon
Tsotsi: film reviewed by KJ Doughton
Big Sugar: documentary reviewed by Daniel Stefik
Mark Goldfarb: CELL PHONE USERS BEWARE
Howard Richler: Yinglish Schminglish
Andy Singer's Cartoon
The art of Ultralab by Lydia Schruter
Jazz: Sophie Milman

Female Genital Mutilation Part II: with Erica Pomerance
Margeret Somerville:Against Euthanasia
Ken Eisner reviews C.R.A.Z.Y.
Noushin Ehsan: Relfections on Museum Design
Peter McMillan: Clash of Civlizations
Thomas I. Palley: Dollar Lust
Genovali & Darimont: No Chances with Wolves
Howard Richerl: The Significant Other Conundrum
Robert J. Lewis: Truth & Forgery
Kristen Pauch-Nolin: Stiches, Bitches and a Few Strands of Pubic Hair
Jazz: Annie Poulain

On the Passing of ORIANA FALLACI: by Robert J. Lewis
Judy Rebick:Being Woman in Iraq
Donna Nebenzahl reviews The Omnivore's Dilemma
Dr. Joe Schwarcz: Bean Food
Daniel Quinn: Schooling, The Hidden Agenda
The Gambaroff Family of Artsts by Lydia Schrufer
Geoff Olson: The 7 Deadly Spins
A Long Walk (Eiji Okuda) - film review
Bill Bleak Cartoon
Jazz: Coco Zhao