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Vol. 19, No. 4, 2020
 
     
 
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fake news
LANGUAGE AS THE ENEMY OF TRUTH

by
NICK CATALANO

____________________________________

Nick Catalano is a TV writer/producer and Professor of Literature and Music at Pace University. He reviews books and music for several journals and is the author of Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter, New York Nights: Performing, Producing and Writing in Gotham , A New Yorker at Sea,, Tales of a Hamptons Sailor and his most recent book, Scribble from the Apple. For Nick's reviews, visit his website: www.nickcatalano.net


Language used to distort truth is as old as scripture. When Satan tells Eve that if she eats the forbidden fruit she will obtain something that God has withheld he is telling the truth but cleverly deceiving her. What she and Adam receive when they eat the Apple is ‘Knowledge’ which is a flawed process obtained by a slow step by step struggle that is imperfect. Before they ate the fruit they ‘knew’ everything instantaneously as Heavenly spirits did; they didn’t have to ‘think’ to get truth because they were perfect. But after they ate they lost their instantaneous awareness and they were fated to ‘learn’ only by the painful and slow process of thinking.

The habit of using language to deceive has been studied and analyzed exhaustively. But the origin of the term ‘fake news’ in our democratic political arena can best be understood by looking back on Ancient Greece and the time that the first democracy began. About 505 B.C., after struggling to find an ideal system of government, the Greeks fell upon pure democracy whereby all citizens rich or poor had equal rights. Anyone who had an opinion could stand up on the Pnyx hill in front of the Acropolis and speak on an issue. After the discussions ended, a vote was taken and majority rule won the day.

Athenians were overjoyed. They had discovered that freedom for all was the secret formula for universal justice. Gone was tyranny, oligarchy, or any kind of monolithic rule. They had discovered political perfection. They openly boasted about their new advancement in civilization; they wrote literature celebrating their greatness, (Aeschylus’ Orestia trilogy still stands as great drama trumpeting the new ideas of justice), they created magnificent architecture to celebrate their many achievements. The Parthenon was erected not to honour the Gods but to proudly honor the Athenians themselves.

As the democratic process continued to unfold in the legislative assemblies during the next decades, something rather elementary popped up. It became obvious that great power could be wielded by those who could ‘speak’ better than others and thus promote their own agendas. With predictable alacrity the citizenry scurried about seeking to learn how they could better orate and persuade the voters to accept their legislative proposals. Soon the central marketplace of Athens (Agora) was flooded with highly compensated teachers or sophists who rapidly came up with myriad oratorical techniques. The term ‘rhetoric’ came into being -- speech uttered to persuade.

Most grammar students know techniques such as begging the question, false analogy, argument of transfer, hasty generalization, red herring etc. But if you consult the Wikipedia glossary of rhetorical terms you will find several hundred entries created, labeled and taught by the Athenian sophists. Why so many? Because the art of persuasive speech became a dominating weapon of power in the first democracy.

At first most observers praised the new science of Rhetoric and celebrated the new uses of language to convey truth and educate everyone. But soon astute thinkers came to realize that the new science was insidiously evil. Talented speakers and knowledgeable rhetoricians could use the techniques to twist the truth, promote falsehoods and outright lie, while at the same time convincing voters that they were righteous in their cause; they thus cleverly persuaded people to go along with their agendas. Most ordinary citizens did not understand how their minds were being manipulated. Appealing to human emotion, concupiscence and innate prejudices, and using this new rhetoric which was replete with logical fallacies, the speakers were actually able to make wrong sound right and vice versa.

Wise figures such as Gorgias and Plato studiously outlined the ways rhetoric negatively manipulated peoples’ minds but the practices continued to grow. Learning from the Greeks, Roman intellectuals such as Seneca and Cicero adapted and refined the cunning and duplicitous techniques and their Latin names for the logical fallacies long developed in ‘classical’ rhetoric are still with us i.e. argumentum ad hominem, non sequitur, post hoc ergo proper hoc.

Nothing could stop the oral tide of crafty manipulation and deceit used by everyone wishing to persuade. In Shakespeare’s great renaissance play, Julius Caesar, a principal theme is the power of persuasive political rhetoric. Using ancient rhetorical skills such as epizeuxis (repetition of “honorable man”) Mark Antony is able to reverse the clamour of the Roman crowd just minutes after Brutus has spoken ill of the murdered Caesar. The memorable scene shows us how educated Shakespeare was in understanding the invention of the ancient Greeks and his ability to illustrate how deeply powerful it could be.

As language manipulation continued to develop, rhetoricians retrieved another Ancient Greek tool: the Euphemism. Even in the present day few see this as an instrument of distortion. It is perfectly fine to ‘soften’ truth; thus we say “put to sleep” instead of “euthanize,” “ethnic cleansing” instead of “genocide,” “bought the farm” instead of “death.” One wonders if media advertisers could ever sell anything without using euphemisms.

On and on, unabated, the manipulative use of the logical fallacies of rhetoric have continued through the centuries utilized by knowledgeable speakers in every culture. A dramatic chapter evidencing its enormous power can be seen with the arrival of Adolf Hitler.

Relatively unknown is the time Hitler and other Nazis spent at the University of Munich in 1919-1920. Studying there Hitler quickly chose to become a propagandist. “People tell me I have a talent for it,” he said. In the beer halls of Munich he quickly honed this desire delivering dozens of speeches focusing on the repetition of simple slogans. He said that Germany’s defeat in the war and its depressed economic state was the fault of others. He blamed the Jews. Each night before speaking he practiced his gestures and expressions before a mirror. He was becoming a performer. “The correct use of propaganda is a true art,” he wrote. “ propaganda must confine itself to a few points and repeat them over and over.”

In his book, My New Order, Hitler lists hundreds of speeches he wrote as he launched his ignominious career. In addition to incorporating many of the Ancient Greek and Roman rhetorical tricks he condemned reporters and journalists who were trying to report the facts as liars and deceivers -- practitioners of Lugenpresse which is the German word for fake news.

At present the term fake news is also used by Donald Trump to discredit journalists and reporters seeking facts. Following Hitler’s dictum to repeat simple slogans, Trump constantly uses words like “perfect” and “beautiful” to describe his achievements. Hitler blamed the Jews for German economic distress, Trump blames immigrants for American economic failures, targets political opponents as scammers, or hoaxers, and discredits prestigious doctors and scientists fighting the Covid pandemic. He constantly lies.

In the end no vaccine has ever been found to neutralize the power of malignant, corrupt rhetoric. Humanity continues to be fooled and victimized. Perhaps someday modern technology will find a remedy for this enemy of truth.

 

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Mend909@aol.com
How deep and insightful, weaving history with our present crisis. Always a special treat to read Dr Catalano’s articles. Michele Endich

user-submission@feedback.com
For as long as man has been around there has always been war, and Catalano illustrates historically that language continues to be one of war's most potent weapons.

user-submission@feedback.com
I truly appreciate you historical insight into what I thought was a modern ailment on a par with the current Pandemic.
Rich Caputo

By Nick Catalano:
Opportunity in Quarantine
French Music: Impressionism & Beyond
D-Day at Normandy: A Recollection Pt. II
D-Day at Normandy: A Recollection Pt. I
Kenneth Branagh & Shakespeare
Remembering Maynard Ferguson
Reviewers & Reviewing
The Vagaries of Democracy
Racism Debunked
The Truth Writer
#Me Too Cognizance in Ancient Greece
Winning
Above the Drowning Sea
A New York Singing Salon
Rockers Retreading
Polish Jewry-Importance of Historical Museums
Sexual Relativity and Gender Revolution
Inquiry into Constitutional Originalism
Aristotle: Film Critic
The Maw of Deregulated Capitalism
Demagogues: The Rhetoric of Barbarism
The Guns of August
Miles Ahead and Born to Be Blue
Manon Lescaut @The Met
An American in Paris
What We Don't Know about Eastern Culture
Black Earth (book review)
Cuban Jazz
HD Opera - Game Changer
Film Treatment of Stolen Art
Stains and Blemishes in Democracy
Intersteller (film review)
Shakespeare, Shelley & Woody Allen
Mystery and Human Sacrifice at the Parthenon
Carol Fredette (Jazz)
Amsterdam (book review)
Vermeer Nation
Salinger
The Case for Da Vinci's Demons


 

 
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