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Vol. 21, No. 3, 2022
 
     
 
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the film on ice
THE CROUCHING GOALTENDER

by
DAVID SOLWAY

______________________________

David Solway is a Canadian poet and essayist (Random Walks). His editorials appear regularly in PJ Media. His monograph, Global Warning: The Trials of an Unsettled Science (Freedom Press Canada) was launched at the National Archives in Ottawa in September, 2012. His latest book is Notes from a Derelict Culture. A CD of his original songs, Partial to Cain, appeared in 2019.

In the midst of the Stanley Cup finals, the thoughts of even serious people may turn to hockey. I make no claim to pundit-like seriousness, but I do confess to a love of the sport, and especially the craft of goaltending, which has fascinated me since early childhood. Growing up in hockey-mad Quebec, I played on scrappy pick-up and local teams in preparation, so I hoped, for one day tending goal for the Montreal Canadiens, a team I idolized. It didn’t work out that way, alas, but my interest in the game never flagged, and I still follow the careers and study the technique of the major NHL netminders.

One thing I’ve noticed is that, although individual goalies each have their unique styles, the collective mode of goaltending has changed dramatically. The heroes of my early youth were all stand-up goalies, occasionally with a slight shoulder-hitch—though sometimes, like Gerry McNeil of the Canadiens, they would go to one knee, the pose he favored on his hockey card. It looked rather classy. Nonetheless, they all pretty well stood their ground, or ice, for the most part vertically.

The greatest of them all was the Detroit Red Wings’ Terry Sawchuk, whose like, I believe, has never been equaled. But they were all masters of the craft, and none wore masks (until Jacques Plante of the Canadiens introduced the protective device). Harry Lumley of the Toronto Maple Leafs was a brick wall. Al Rollins of the perennially weak Chicago Black Hawks did, at times, resemble a sieve, but that was no fault of his own. If he’d had a strong defense in front of him, instead of the platoon of sad sacks who roamed the blue line instead of the attacking zone like a clutch of befuddled tourists, he might have achieved greatness. Sugar Jim Henry of the Boston Bruins, whose face looked like a puck-pummeled tattoo parlor, was an intimidating fixture between the pipes. No matter how many times he was stretchered off the ice, he would always return stronger than ever. At 5ft. 7in., Gump Worsely, shipped from the Rangers to the Canadiens, was a mighty mite. None were inclined to scrooch the ice or flop around, except when the situation demanded it.

Today’s practitioners of the noble art are a different breed altogether. Their default position is the deep crouch, which makes some sense since most are a good half-foot taller than their predecessors and are able to cover a larger portion of the net. But the “top shelf” remains their weakness. I have rarely seen Jonathan Quick of the LA Kings—whose extraordinary reflexes, be it said, live up to his name—rise from his hams. Even the greatest goaltender of the current age, Andrei Vasilevskiy of the Tampa Bay Lightning, virtually impenetrable for the last few years, has been perforated in the Cup finals by the Colorado Avalanche, who have discovered an over-the-blocker weakness in his armor. If Vasilevskiy would stay upright, as did Sawchuk for the most part, he might scarcely lose a game.

I don’t mean to imply that there were not other stellar goaltenders who flourished in the more recent period: Plante himself, Glenn Hall, Ken Dryden, Billy Smith, Patrick Roy, Martin Brodeur, Carey Price, to name a few. But the earlier generation of stalwarts, playing with poorer equipment against fewer teams that could benefit from an obviously more rigorously selected and thus better talent pool of stickhandlers and sharpshooters, remain the giants of the profession.

I am baffled by this modern style of protecting the cage, shared by practically every netminder in the League—except, to a degree, by the brilliant Igor Shesterkin of the New York Rangers, who won this year’s Vezina Trophy, and by the Colorado tandem of Darcy Kuemper and Pavel Francouz, especially the latter. What has caused this paradigm shift? Why have goaltenders almost universally decided to “go down” or “hug the post” rather than follow the example of Terry Sawchuk and his tradecraft mates?

Of course, as noted, being taller and generally larger than their precursors, they blanket more of the net, but tending goal on one’s knees has its, so to speak, downsides. There’s a lot of slipping and sliding around, and the posture impedes the kinetics of defense, the ballet of anticipation. Primarily, it reduces what every goaltender depends on, what we might call “visionary scope,” the ability to see the play developing, to recognize where the secondary shooters are, and where they are likely to reposition themselves. Standing tall helps to see through the “screen” intended “to take away his eyes,” as the sportscasters like to say. I’m not suggesting that the modern goalie never stands upright, but the trend toward crouching low to the ice is epidemic. And I don’t get it.

If I were a poet, I’d be tempted to play with symbol and metaphor and say we are witnessing a sign of the times, however frivolous the notion. Are we as a culture returning to a more primitive stage of evolution? Is Homo Erectus now gradually sloping toward the drooping status of Homo Prolapsus, masked, padded, shielded, and though taller than our ancestors, somehow smaller than they were, less daring, less responsible, less willing to risk injury? Are we intent on seeking safety from the flying projectiles of the contemporary world, like those tiny viral pucks that a workingman Sugar Jim Henry would have no fear of and a citizen Terry Sawchuk would manfully deflect, relying on a natural immunity against being too easily scored on? We are not tending to our duty of spotting where the shooters are. So we stoop and bend and crouch and play it safe while the red light flashes behind us, like the worst goaltender ever to don the pads for the Les Canadiens, the ineffable “Red Light” Racicot.

Mere speculation, of course — just having fun with the game of hockey and willing to play the game of life, to see through the screen that our adversaries have put before us without crouching before the vicissitudes of existence, as we are now prone to do. That, I propose, should be our goal.

 

 

 

By David Solway:
Wine, Food, Poetry & Marriage

The Necessity of Walls

Is Western Civ on the Way Out?
On Gravity
The Demonization of Carbon
Honouring the Higgs
Whatever Happened to Reading?
Hyphenated Sex
Skeptical Take on Queen's Gambit
Systemic Envy
Nonsensical Covid Rules
We Have Entered a Looking Glass World
The Socialist States of America
Feminism: A Self-Canceling Project
House Hunters: A Window on a Derelict Culture
The Tattoo: Sign of the Times
Where Have All the Alphas Gone?
They Burn Witches, Don't They?
Aboriginal Claims of Sovereignty
Toxic Feminism

The Scourge of Multiculturalism
Power of the Phrase: Hidden Persuaders
Is Islamic Reform Possible?
Living on the Diagonal
The Birds and the Bees
Free Speech Vs. Hate Speech
The Shaping of Our Destiny
The Scandal of Human Rights
Reconsidering the Feminine Franchise
A Melancholy Calculation
Canada: A Tragically Hip Nation
The Ideal of Perfection in Faith and Politics
The Mystery of Melody
The Necessity of Trump
Dining out with Terrorists
What About Our Sons
Identity Games
The Hour Is Later Than We Think
Caveat Internettor
Why I Like Country Music
We Have Met the Enemy
The Obama Bomb
Don't Apologize Dude
Winners and Losers
Why I Write
Praying by the Rules
Age of Contradiction
Snob Factor Among Conservatives
Islam's Infidels
David Suzuki Down
Infirmative Action
The Education Mess We're In
The Intelligence Potential Factor
Gnostics of Our Time
Decline of Literate Thought
Galloping Agraphia
Socialist Transfer of Wealth
Deconstructing the State
Delectable Lie (Multiculturalism)
The Weakness of the West
When a Civilization Goes Mad
Deconstructing Chomsky
The Multiculti Tango
Utopiah: Good Place or No Place
Palin for President?
The Madness of Reactive Politics
Liberty or Tyranny
Shunning Our Friends
A Culture of Losers
Political Correctness and the Sunset of American Power
Talking Back to Talkbackers
Letting Iran Go Nuclear
Robespierre & Co.
The Reign of Mediacracy
Into the Heart of the United Nations
The Big Lie
As You Like It
Confronting Islam
Unveiling the Terrorist Mind

 

 

 

 

 

 

 

 

 

 

 

 

 

Arts & Opinion, a bi-monthly, is archived in the Library and Archives Canada.
ISSN 1718-2034

 

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