Laura
Brownson and Beth Levison's remarkable biopic is presented
by the star beat poet himself -- Andrew Andersen -- AKA
Lemon. He's an ex-con who discovered poetry while at Rikers.
Coming from the projects in Brooklyn, his childhood days
were disastrous and they followed him right into adulthood.
He and his brother Peter became small-time drug pushers
for the building they lived in. His mother Mille was a heroin
addict. She dies of AIDS. A lot of his poetry is about her
and their mutual love. As a kid from Puerto Rico, he stuck
out with his blond hair and so Lemon became his name. Peter
and his wife figure in the film as major influences -- the
former not initially positive, but that changes at the end
of the film.
The
story centers around Lemon's steely drive to become a very
successful poet. He starts out performing in schools, but
mid-way he raises the bar by connecting with a small American
theatre company. After some performances in this company,
he is swooped up by American Public Theatre's Under the
Radar festival. Richard Kerner, who ran the smaller theatre
where Lemon first began performing, is dropped; the American
Public Theatre wants to own all the production rights. Kerner
is naturally disappointed, but begrudgingly releases Lemon
from their small contract. Later on in the film Lemon returns
to Kerner asking for funds.
The
relationship between Kerner and Lemon is the major focus
of the film. Kerner truly kick started Lemon’s career
and got him his audience. He treats Lemon like a brother,
so when Lemon leaves him high and dry and then goes back
to him to ask for money without eating humble pie (that
is not in Lemon’s character), Kerner said it well,
expressing the sentiment that he felt like Lemon was coming
back to the lover he had dumped. Kerner gives him nothing.
It was very difficult for Kerner to let his brainchild go
and receive no credit for his perosnal and financial investment
in lemon. It was a bitter- sweet moment, for on the one
hand, Kerner is angry, and on the other, Lemon is happy
to be moving up the ladder in the performance world of New
York City. In defense of Lemon, the poet makes a key point
-- that all his life he catered to others above him, and
was a 'yes' boy. For the first time in his life, he wants
to pursue what he wants, even if it means breaking the bond
of a deep friendship.
That scene is very telling of Lemon's great ambition and
his determination to go to higher places even if it means
betraying the one who gave him his first start. There was
a reason why Lemon approached Kerner. Although his Under
the Radar stint was successful, the American Public Theatre
lacks funds to support Lemon's mainstay run of County Kings
-- the name of his show. He is told he must raise $50,000
if he wants to continue his run. Despite rave reviews of
his work from his two-week stint in Under the Radar, he
can't get the money. He ends up unemployed, taking care
of his two daughters while his highly supportive wife earns
the money. One day, Spike Lee, without whose support the
award winning musical Passing Strange would have never made
it to the silver screen, calls out to him just as Lemon
is leaving a restaurant. He had seen Lemon's performance,
and offers to put up the money Lemon needs to continue the
show indefinitely at the American Public Theatre. Lemon's
poetry is tough, defiant and extremely passionate. He is
gifted and utterly disciplined.
Throughout
the film, Lemon presents his compelling poetry. He also
offers poignant views on poverty, power tycoons, resilience
and what it takes to overcome seemingly insurmountable obstacles
to achieve success and endure. Interestingly, he has a problem
after he gets his main run. He hyperventilates all the time
on stage. He knows he needs his wife with him during his
performances. She quits her job to be with him. She is the
sweet cherry that sweetens up Lemon's life. Nothing made
him crack during all the tough times -- just the lack of
her presence. I found that rather touching.